What do you get when you take Funk, Jazz, R&B and Rock & Roll and mix it all together? Well, you get one of the greatest bands of all time.
WAR THE BAND
“WAR’s music is timeless”
WAR has a half of century of hits, “Low Rider, Why can’t we be friends, All Day Music, Spill the wine,” don’t miss this legendary night of music.
"WAR Latin rock legends"
In late 1971 WAR released All Day Music, the title track would be the group’s first hit single, and their first gold single “Slippin’ Into Darkness” followed propelling the album to over 1 million sales and a winning streak that would continue for years. In 1972 the band’s sound was refined and deepened with the release of The World Is A Ghetto; a celebratory, reflective, and gritty album which was recorded in just 29 days with Goldstein and legendary British recording engineer Chris Huston behind the recording console. Its first single, “The Cisco Kid” shipped gold and brought the band a following in the Hispanic community that has remained loyal to the group to this day. The thought provoking title song “The World Is A Ghetto” fueled the album to the Number One chart spot in Billboard and was voted Billboard’s Album of the Year.
Their album The World Is a Ghetto was Billboard’s best-selling album of 1973.[13] The band transcended racial and cultural barriers with a multi-ethnic line-up.
Yissy Garcia & Bandancha
Yissy Garcia–a composer and drummer- is one of the most powerful artists of this new generation of Cuban musicians. There is a lot of groove in her drumsticks, and a lot of creative impulse in her. At the age of 30, the important things for her are rhythm and the way emotions are trapped by the sound language, as if the drums were just an extension of her body. The important things are ambiguity, the fusion between tradition and avant-garde, her ways of blurring the boundaries of Latin jazz, electronics, funk, R & B, Afro-Cuban music.
“Yissy Garcia the greatest new Latin crossover talent in jazz fusion music this decade”
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Yissy has quickly become an iconic figure of female percussion in Cuba and beyond, having performed with the likes of Dave Matthews and Esperanza Spalding, and been likened to “the Cuban version of Terri Lyne Carrington” by Tom Tom Magazine. Since 2012 she leads Bandancha, an off-the-charts quintet that follows the routes of Latin jazz, funk, and afro Cuban music.